This is indeed the city of Mozart. You find him everywhere. Even on cakes. How could anyone visiting Vienna say no to something that’s called Mozart kuchen and looks like this?
Before leaving Saudi, we’d found three walking tours on the web. One, called “Vienna’s Back Streets,” promised a focus on smaller, lesser-known landmarks. It also took us away from the tourist bustle of Stephansplatz. (For that, I liked it before we’d even started.)
We began at Maria-Stiegen-Kirche, or The
Church Of St Mary on the Strand. This sounded a bit like something you’d find
on a monopoly board, but nothing could have been further from the truth. I loved the intricate, lace-like Gothic
steeple and the church’s quaint narrow construction. (Because of the medieval
streets on either side, it’s no more than 9m wide at any point.)
The place was quiet, serene. Even the gargoyles
seemed benign.
We walked past Vienna’s oldest market
place, where there’d been public gallows until the early 1700s. Shades of Riyadh’s
ChopChop Square, I thought to myself. (Except
that the former has ceased its executions.)
We turned into Griechengasse. Ahead of us,
I noticed a solitary figure with a red back pack. In this medieval environment, the story of
the Pied Piper sprung to mind. I half expected him to get out a small wooden pipe
and start playing, perhaps rounding up the pigeons that are the real pest here.
You’re never far from a famous musician in Vienna. Along the winding alley Schönlaterngasse, we came to the home of Robert Schumann. It was while briefly living here that he rediscovered some of the unpublished compositions of Schubert and laid the foundation for a posthumous renaissance of his music.
I rather liked the story attached to the
house next door called the Basilikenhaus, a 13th century bakery. Our
notes told us that when the well nearby started smelling the residents decided
this was because there was a basilisk hiding there. As you would. The gaze of a basilisk is fatal, but the
brave baker exercised great ingenuity, killing the creature by showing it its own
reflection in a mirror. It is the stuff of which heroes are made.
(Except that when I looked closely at the
mural, the basilisk looked more terrified than terrifying, and the baker looked
pretty ordinary.)
Another story I found interesting and that had rather more history to it, was attached to an uninspired façade at Fleischmarkt 24. This was once a hotel whose musical guests included the family of the young Mozart as well as Franz Liszt, Wagner (when he wasn’t fleeing his creditors) and the exiled Chopin. There’s music everywhere here.
After so much walking, it was time for a
break. There was much tempting deliciousness in shop windows, along an Easter
theme.
But instead we settled for a small unpretentious
back street café. Our coffee came with two sugars.
When my daughter had visited us in Saudi
earlier in the year, a group of us had ordered coffee in a local mall. The four
coffees duly arrived – with 17 sugars. This has become
our benchmark for sugary excess. At only
2, this Viennese café was not in the same Saudi league.
Leaving behind the quiet back streets, we
wound our way back to Stephansplatz with its shops, its crowds and eclectic pavement artists.
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